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Madhura Raja is a couple of notches above Pulimurugan in terms of quality. Also worth noting is Vysakh's refined filmmaking. His humour is mostly lowbrow but unlike in the first film, we don't get lines like, "He can make a woman pregnant just by looking at her." One can't help but admire his ability to come up with fresh content with every new film. The usually unhinged Udaykrishna, who also wrote Pokkiri Raja, is much more restrained this time. What makes Madhura Raja a huge improvement over the original is the toned-down writing. That lawyer happens to be Nandhagopal Marar, Mammootty's character from Narasimham. When Salim Kumar asks why Prithviraj is absent this time, someone says, "He is now directing a film," to which Salim delightedly replies, "Oh my Lucifer!" How can you not smile at this? At one point, Raja mentions the name of a famous lawyer saving him from a complex legal situation. Some of Madhura Raja's best moments come when the film gleefully makes references to not just the first but also other films. It accomplishes what it is trying to achieve.
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Yes, you can easily guess the direction in which the film is going and how it's all going to end, but that doesn't mean it can't be fun. We are already familiar with the template of Pokkiri Raja it's a template used by many mass entertainers that came before it too. It becomes much easier to appreciate and review a film like Madhura Raja once you know exactly what you're going to get and are not burdened by high expectations. Chinnan's romance with the latter brings to mind Jai's 2008 film Subramaniapuram, and brings forth its own set of complications. Anusree Nair plays the perpetually angry Vasanthi and Mahima Nambiar as her younger sibling Meenakshi. Chinnan, a replacement for Prithviraj's character from Pokkiri Raja, happens to be the son of the man who made Raja what he is now.Īpart from the few supporting actors returning from the original - Salim Kumar, Nedumudi Venu, Vijayaraghavan and Siddique - there are new ones.
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In 2016, he becomes a Director for the movie Savadi. called it a "mediocre film" and an "excruciating movie-watching experience", remarking that Sridhar made a "passable debut". The film released with little publicity and received negative reviews from critics. In 2015, he made his first appearance as a leading actor by appearing the action drama, Pokkiri Mannan directed by Raghav Madhesh.
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He also choreographed and appeared in the title song of television series Nadhaswaram. Sridhar won further critical acclaim for his work as a choreographer in Prabhu Deva's Engeyum Kadhal (2011), where he collaborated with his mentor for four songs. consequently noted Sridhar "gave it some rocking steps and he more than delivered", listing it as a "signature dance step".
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He worked as the choreographer for the " Naaka Mukka" song in Kadhalil Vizhunthen (2008), and was given the responsibility of ensuring the hit song translated well on-screen. Balachander's Poi (2006), appearing in a supporting role.